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I would take posts like this from the FSF more seriously if they proposed or endorsed a solution, rather than simply proposing a protest.

FSF may claim to be about "Free as in Speech, rather than Free as in Beer," but DRM straddles both of these points. Yes, we're restricted in the products that can utilize DRM files, but DRM also exists to protect ownership rights. Its a complex system, and one that can't simply be "abolished" without some suitable alternative to protects both interests.

There are lots of theories and examples of alternatives to DRM that protect the rights of both the creator and end user. I'm just disappointed that the FSF didn't propose one of these, or their own, as a viable solution. It's easy to point fingers, it's tough to propose meaningful solutions.



    [DRM] can't simply be "abolished" without some suitable
    alternative to protects both interests.
It can be and in the music industry largely has been. iTunes has no DRM. Amazon's mp3 store has no DRM. Bandcamp has no DRM.

The solution is getting rid of DRM. DRM does not prevent people intent on pirating their media from doing whatever they want. It hurts legitimate users.

The existence of DRM has nothing to do with preserving the freedom of content creators. Your presentation of it as something that does is naive. It exists to protect the interests and power of media publishers. The publishers--not the creators--are the ones making the choices about DRM. Its use is an attempt to prop up outdated business models, because that's easier--and, in the short term, safer--than change.


In my earlier post I was referring to publishers -- they are partial owners on the content.

I agree that their business models need an overhaul, but simply pointing a finger from afar, and telling these entrenched organizations to change won't get far. These industries are too big and entreneched to just dies either. The most practical answer is to have some sort of compromise.

It'll be hard to go back to pre-DRM, too. You can't unshift a paradigm like DRM for big media


    You can't unshift a paradigm like DRM for big media
Yes, you can.

DRM was pervasive in the music industry. It no longer is. DRM was pervasive in the ebook industry. We are beginning to see signs from publishers (Tor books being the most recent example) of a willingness to sell ebooks without DRM. "DRM-free" has become a selling point for smaller companies in the games industry.

It is not easy, and it is not fast, but it is possible, and it is happening.


DRM-FREE is happening in many ways and it's a great thing. But in the music and movie industry they are leveraging streaming technologies like Netflix and Spotify to create solutions that still have DRM that just feel less intrusive then others. For E-books I think companies like O'Reilly are not only making users who are aware of DRM happy, they are taking a competitive advantage of a segmented DRM market(Nook vs Amazon vs Kobo vs whoever else) by going DRM-FREE.


Richard Stallmann proposed a internet access tax that is distributed to producers in a cube-root function of the measured popularity (number of downloads etc.) of their works:

http://www.gnu.org/philosophy/freedom-or-copyright.html

The German Chaos Computer Club proposed a similar system using a cryptographic micropayment currency:

http://irights.info/?q=ccc-konzept-kulturwertmark

(sorry only German)


> protect the rights of both the creator and end user

Take a look at https://www.gnu.org/philosophy/misinterpreting-copyright.htm... . The FSF holds a consistent position on this: "copyright privileges can be justified only in the name of the readers, never in the name of the publishers"; in other words, we permit limited copyright restrictions because we want more works produced, and that represents a tradeoff. The same thing applies to DRM: tolerating DRM means we might get a few more works produced (though widespread evidence would seem to suggest otherwise), but we lose a lot of rights over those works. That tradeoff doesn't seem worth it.


Like what meaningful solution? Pre-digital DRM was essentially the difficulty of copying, and that is no longer "difficult", and you can't undo that because DRM on media people care about will be broken.


There are lots of theories and examples of alternatives to DRM that protect the rights of both the creator and end user.

Such as?


Very true, especially as the FSF has been so instrumental in creating and encouraging the creation of free software. While the FSF have "been against" non free software they have at least helped provide the alternative. In the case of DRM, not so much.


GPL and other licenses are the alternative. The only functional difference between a license and DRM is that enforcement is in the hands of the rights holders until the DRM is broken. GPL is hoping no one steals it. DRM is trying to keep people from stealing it until you make enough to cover expenses and some profit.

Law is the fallback for both.




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